This page introduces the things I’ve done in ethnography and creative practice. My work crosses anthropology, science and technology studies (STS), and urban research. Yet a common focus ties it together: fragments. These small traces and residues reveal the hidden complexity of everyday life. For me, ethnography is more than description. It is a curatorial and experimental method. I use fieldnotes, illustrations, and workshops not only to document but also to reimagine. In this way, research becomes analytical and imaginative at once.
Over the years, I have worked with formats that move beyond academic writing. For example, I create zines, digital cabinets, illustrated taxonomies, and sensory experiments. Alongside them, I publish articles, chapters, and talks. These forms complement each other, helping ethnography reach a wider audience.
The things I’ve done in ethnography are diverse, but they share one question: how can we make sense of life in fragmented and more-than-human worlds? My projects follow residues, urban infrastructures, multispecies encounters, and speculative archives. Each fragment becomes an opening to new ways of knowing. This page will gather projects, publications, and experiments. Together they form a cabinet of curiosities, reflecting an ongoing process of research and creativity.
Tarde, an ethnography zine
Tarde, a handbook of minimal and irrelevant urban entanglements, was a DIY ethnographic zine that I created and edited to explore the everyday fragments of urban life. From the beginning, the project moved in deliberate tension: both do-it-yourself and professional, independent yet sometimes connected to institutions. At its core, Tarde was never a polished academic publication or a glossy cultural magazine. It lived in-between spaces—where ethnography became tactile, accessible, and provisional. Access